As we continue this series on my favorite songs by my favorite artists, Anathallo takes center stage with the forgotten song “To Gary and Marcus: The Sovereignty of God is Omnipresent.” Or, for the sake of easier reading, “Gary and Marcus.” This is a song that would seriously benefit from a listen to the song before reading the lyrics. Anathallo, especially in their earlier days, were very free form in their song structure and the musical progression lends itself to the emotive lyrics. Check it out:
“To Gary and Marcus: The Sovereignty of God is Omnipresent”
I could not come this time and stand on my feet.
I just thought of you and sank.
“I’m tough, I’m tough,” I told myself,
but I fell apart.
Thin arms cling lightly to my sunken chest.
I hold my breath.
Your sad eyes droop with hopelessness,
and I feel like I’m dying with you.
And I hold your toothpick ribcage.
And I pray aloud into your ear,
“Lord what would you have of me?
To plead before You for this child?
Why does faith seem so foreign to me now?”
Every time I see your beautiful faces
in my thoughts, or in something I see,
may faith stand firm.
Let it grow from grace I have received and know
that this grace abounds to you
so far away.
Pretty heavy song, no? Let’s get into it.
1. Rhyme Scheme – I scanned this song about a hundred times trying to find something. And it took some scraping to find two examples of slant rhymes, or rhymes that aren’t technically rhymes but kind-of-sort-of sound similar. Stanza 1 Line 1 has a slant of “time” and “my” and Stanza 2 has a slant on “chest” and “breath.” That’s it. These rhymes serve to bring some sort of loose unity to an otherwise very free form structure. I think it especially helps to have this near the beginning of the song. It serves to bring the listener along without totally losing them in the radically different foundation of songwriting.
2. Meter – Again, free form. No pattern or repetition to be found, really. When you listen to the song, though, it’s a hard fact to believe. The lines seem so rhythmic. But that could be because of the great jazz-like music that accompanies the lyrics. If there is a pattern, I can’t hammer it down.
3. Diction/Devices – Alliteration, Repetition. “I’m tough I’m tough I told myself,” and “Thin arms cling lightly…” and “Why does faith seem so foreign…” are great examples. Come to think of it, these devices might be what lends to the “sneaky-rhythm” in the song. Even in free form, something has to ground the song for it to succeed. I strongly believe its these devices that do it.
On the Diction side of things, we some extraordinary word choice. “Toothpick ribcage” and “sunken chest” evoke strong images. And I was particularly struck in the last stanza where we see Matt Joynt (the lyricist and frontman) refer to God’s “beautiful faces,” a reminder that God has many ways to reveal himself and has “face” in different forms. Love Love Love it.
1. The Problem of Suffering Children – Joynt lays out a story (no doubt personal) of the narrator looking upon a dying child and wondering what he can do, and how to reconcile this with his faith. He even expresses his doubts in what he believes, “Why does faith seem so foreign to me now?” “Lord, what would you have of me?” Questions that are, no doubt, legitimate and worthy of pondering.
2. The Frailty of Humans – While Joynt highlights the awfulness of dying children, he also showcases the frailty of the narrator. This situation leads him down a path of tremendous frailty and weakness. And just as this child he sings about is sick and dying, so too is his disposition and faith. It’s almost a commentary on physical sickness begetting emotional and spiritual sickness.
3. Beauty in Grace – After the amazing climax in the music after the third stanza, we get a lovely drop out of everything except the tapping of sticks. An auditory signal of stripping everything down to its basics. And as the music does so does the philosophy in the lyrics. Joynt knows that when he gazes upon God’s character, he sees why he believes what he does. His thoughts, his feelings, his experiences remind him of the beauty he finds in the gospel, in the grace of God. And he takes another leap of faith, admitting he doesn’t have an answer to this child’s death, or have an action of which to take. He simply recognizes and encourages the child, knowing that the grace he has received from God, surely extends to the child.
The song takes a heavy and erratic direction in its structure but takes a deconstructing approach as it reveals the foundation of Joynt’s faith and philosophy: Grace abounds.